Anti-Moderne oder Avantgarde-Konzept? Uberlegungen zur musikalischen Postmoderne
Beschreibung
Personen und Körperschaften: | |
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Titel: | Anti-Moderne oder Avantgarde-Konzept? Uberlegungen zur musikalischen Postmoderne |
Medientyp: | Buch, Text |
veröffentlicht: |
Department for Music and Musicology of the Croatian Academy of Sciences and Arts, Croatian Musicological Society, Music Academy of the University of Zagreb
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Umfang: | 211-238 |
Schlagworte: | |
Zusammenfassung: | <p> Summary: Reflexions on Musical Postmodern: An Antimodern or Avantgarde Concept?. The discourse on the problem of Postmodern has entered the musical aesthetics rather late. This contribution endeavours to elaborate an already existing discourse and derive certain rules from a single case (the composer Peter Ruzicka with his compositional and aesthetical thought of "music over music"). In this, the title stands as a provocative question at the beginning, but answering it is not allowed, concerning the solution of theoretical aporia. The fundamental difference in thinking the interpretation of the notion of Postmodern becomes evident in its relationship towards the Modern. There exist two contrary positions: the first one understands the Postmodernism as a kind of "new façadic art" in the epoch of "cultural stiffness", and consequently, as a sign for an epoch incompatible with Modernism; the other position, however, understands Postmodernism as a radicalized continuation of Modernism, freed of dogmatism. The author's central thesis is that the greatest possibility of Postmodernism consists in a new inciting - by the means of its various procedures - of the integrational process of previously detached and lost areas of expression, and that "music over music" consciously has in mind such an integration. Consequently, instead of one canonized aesthetics chance should be given to the "principle of plurality". The article also brings a table with a catalogue of criteria, i. e. of aesthetical phenomena in Modernism (as found in the works of Arnold Schönberg, Wassily Kandinsky, Pablo Picasso, Marcel Proust, Franz Kafka, James Joyce and Samuel Beckett) and their respective correlates in Postmodern works of art. </p> |
ISSN: |
0351-5796
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Datensammlung: | sid-55-col-jstormusic sid-55-col-jstoras3 JSTOR Music Archive JSTOR Arts & Sciences III Archive |