Dislocated memories Jews, music, and postwar German culture

edited by Tina Frühauf and Lily E. Hirsch ; with an afterword by Philip V. Bohlman

  • Description
Authors and Corporations:
Frühauf, Tina (Editor); Hirsch, Lily E. (Editor); Bohlman, Philip Vilas (Author of afterword, colophon, etc.)
Type of Resource:
Buch, Text
Oxford Oxford University Press [2014]
Physical Description:
xvii, 302 Seiten; Illustrationen, Notenbeispiele
RVK Notation:
LS 33120 Find Similar Items

NY 4620 Find Similar Items
Geschichte der Juden
Geschichte der Juden nach Zeitabschnitten und Ländern
Juden in Deutschland und Österreich

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The first volume of its kind, Dislocated Memories: Jews, Music, and Postwar German Culture draws together three significant areas of inquiry: Jewish music, German culture, and the legacy of the Holocaust. Jewish music-a highly debated topic-encompasses a multiplicity of musics and cultures, reflecting an inherent and evolving hybridity and transnationalism. German culture refers to an equally diverse concept that, in this volume, includes the various cultures of prewar Germany, occupied Germany, the divided and reunified Germany, and even "German (Jewish) memory," which is not necessarily physically bound to Germany. In the context of these perspectives, the volume makes powerful arguments about the impact of the Holocaust and its aftermath in changing contexts of musical performance and composition. In doing so, the essays in Dislocated Memories cover a wide spectrum of topics from the immediate postwar period with music in the Displaced Persons camps to the later twentieth century with compositions conceived in response to the Holocaust and the klezmer revival at the turn of this century. Dislocated Memories builds on a wide range of recent and critical scholarship in Cold War studies, cultural history, German studies, Holocaust studies, Jewish studies, and memory studies. What binds these distinct fields tightly together are the contributors' specific theoretical inquiries that reflect separate yet interrelated themes such as displacement and memory. While these concepts link the multi-faceted essays on a micro-level, they are also largely connected in their conceptual query by focus, on the macro-level, on the presence and the absence of Jewish music in Germany after 1945. Filled with original research by scholars at the forefront of music, history, and Jewish studies, Dislocated Memories will prove an essential text for scholars and students alike.
Literaturverzeichnis: Seite 277-296
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