Hearing homophony: tonal expectation at the turn of the seventeenth century
Megan Kaes Long
Beschreibung
Personen und Körperschaften: | |
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Titel: | Hearing homophony: tonal expectation at the turn of the seventeenth century/ Megan Kaes Long |
Medientyp: | Buch, Text |
veröffentlicht: |
Oxford
Oxford University Press
2020
©2020 |
Umfang: | 1 Online-Ressource (301 Seiten) |
Teil von: |
Oxford Studies in Music Theory Ser.
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Schlagworte: | |
RVK-Notation: | LR 55194 Ähnliche Treffer finden
Barock, Klassik (1600-1800)
I. Musica theoretica Sachteil: Musica theoretica (einschl. Realien mit geographischem Bezug) Musikalische Elemente, Kompositionstechniken, Formfaktoren Einzelne Elemente, Kompositionstechniken, Formfaktoren: Kontrapunkt, Mehrstimmigkeit, Polyphonie Barock, Klassik (1600-1800) |
Zusammenfassung: | In Hearing Homophony, Megan Kaes Long presents a groundbreaking model for understanding tonality and its origins, examining it through the lens of popular songs of late-Renaissance Western Europe. cover -- Half title -- Series -- Hearing Homophony -- Copyright -- Contents -- Acknowledgments -- About the Companion Website -- 1. How We Got into Harmonic Tonality, and How to Get Out -- Modality is not the Renaissance version of tonality -- Tonal expectation -- On sixteenth-century listening -- 2. La questione della lingua: Transmission and Translation of Musical Style -- Popular song -- The transmission of Gastoldi's Balletti a cinque voci -- Englishing English, entdeutschen Deutschen -- Sources -- An art form meets a commercial enterprise -- Per cantare, sonare, e ballare -- Per cantare -- Per sonare -- Per ballare -- Delightful new inventions -- 3. The Work of the Words -- Schematic text-setting -- How to match the measure -- Quinari -- Settenari -- Endecasillabi -- Thinking ahead -- German words should be "pronounced daintily and with refinement" -- From text-setting to meter -- Minutes and seconds, minims and semiminims -- 4. Halves Requiring Completion -- Phrase structure has a voice problem -- From subsequence to consequence -- What to expect when you're expecting (a cadence) -- A fair divided excellence: How to build a half that requires completion -- Paratactic construction -- Exact repetition -- Transposed homophonic blocks -- Sequences -- Action-reaction phrases -- Fullness of perfection -- 5. From Phrase Structure to Form: The Balletto -- The balletto as miniature -- Italian madrigals Englished -- Clear harmonic style -- Morley and his models -- Morley and the minor mode -- Hassler and the German balletto -- Polar and solar tonality -- From phrase structure to form -- 6. Tonal Orientation: New Tools for Navigating the Formal Landscape -- Composing comprehensible forms -- Every strain repeated -- Listening to the future -- Rearranging landmarks: Deviant forms and meaning production -- Putting form on the map. |
ISBN: |
9780190851910
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Fussnoten: | Description based on publisher supplied metadata and other sources |
Datensammlung: | Lokale HMT-Bestände |