Women through the lens: gender and nation in a century of Chinese cinema
Shuqin Cui
Beschreibung
Personen und Körperschaften: | ; |
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Titel: | Women through the lens: gender and nation in a century of Chinese cinema/ Shuqin Cui |
Enthaltene Werke: | Part I. Early production. From shadow-play to a national cinema ; Reconstructing history: the (im)possible engagement between feminism and postmodernism in Stanley Kwan's Center stage -- Part II. Socialist cinema. Constructing and consuming the revolutionary narratives ; Gender politics and socialist discourse in Xie Jin's The red detachment of women -- Part III. The new wave. Screening China: national allegories and international receptions ; The search for male masculinity and sexuality in Zhang Yimou's Ju dou ; Subjected body and gendered identity: female impersonation in Chen Kaige's Farewell my concubine -- Part IV. Women's films. Feminism with Chinese characteristics? ; Desire in difference: female voice and point of view in Hu Mei's Army nurse ; Transgender masquerading in Huang Shuqin's Human, woman, demon |
Medientyp: | Buch, Text |
veröffentlicht: |
Honolulu
University of Hawaiʿi Press
c2003
Online-Ausg.. Boulder, Colo NetLibrary 2003 |
Umfang: | XXVI, 304 S.; Ill |
Teil von: |
EBSCOhost eBook Collection
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Schlagworte: | |
RVK-Notation: | AP 59761 Ähnliche Treffer finden
Zentral- und Ostasien, Hinterer Orient
Medien- und Kommunikationswissenschaften, Medienkulturwissenschaft, Kommunikationsdesign Film Film in einzelnen Ländern Sekundärliteratur zu Filmen in einzelnen Ländern Asien, Orient, Östliche Welt Zentral- und Ostasien, Hinterer Orient |
Zusammenfassung: | Part I. Early production. From shadow-play to a national cinema ; Reconstructing history: the (im)possible engagement between feminism and postmodernism in Stanley Kwan's Center stage -- Part II. Socialist cinema. Constructing and consuming the revolutionary narratives ; Gender politics and socialist discourse in Xie Jin's The red detachment of women -- Part III. The new wave. Screening China: national allegories and international receptions ; The search for male masculinity and sexuality in Zhang Yimou's Ju dou ; Subjected body and gendered identity: female impersonation in Chen Kaige's Farewell my concubine -- Part IV. Women's films. Feminism with Chinese characteristics? ; Desire in difference: female voice and point of view in Hu Mei's Army nurse ; Transgender masquerading in Huang Shuqin's Human, woman, demon |
SystemDetails: | Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |
ISBN: |
0585479143
9780585479149 |
Fussnoten: | Includes bibliographical references (p. [287]-297) and index. - Filmography: p. [249]-267 Filmography: p. [249]-267 Electronic reproduction, Boulder, Colo : NetLibrary, 2003 |
Erscheint auch als: | Cui, Shuqin, Women through the lens, Honolulu : University of Hawaiʻi Press, ©2003 |
Weitere Ausgaben: | Women Through the Lens: Gender and Nation in a Century of Chinese Cinema |
Datensammlung: | Lokale HMT-Bestände EBSCOhost eBook Collection |
Rechtehinweis: |
Nutzungsrecht: Nationallizenz Netlibrary
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